We’re a remote-first post-production collective. That means instead of a single freelancer or a big traditional facility, we build a custom team of editors, colorists, sound designers, and VFX artists around your project’s needs.

We partner with agencies, production companies, brands, and independent filmmakers. Past collaborations include projects for UFC, Thorne, PBS, Shake Shack, and a range of indie directors and producers. Some teams bring us in as a trusted third-party resource when their workload gets too heavy, so they can keep projects moving without sacrificing quality.

Once we understand your project, we assemble a tailored post team. We set up shared folder structures, Frame.io for reviews, and a clear timeline so you know exactly what to expect at each stage.

Most projects include three rounds of revisions for editing, and two rounds each for color and sound. Animation and VFX vary depending on the scope of the project. If you need more, we can always extend on an hourly or daily rate to keep things moving smoothly.

Pricing depends on your project’s creative needs, team size, deadlines, and overall scope. Before we begin, we’ll schedule a 15–30 minute Discovery chat to walk through your project and timeline needs. From there, we’ll provide a detailed estimate so you can see exactly how each part breaks down.

Yes. We typically ask for a retainer up front, then split the balance across milestones like first deliverable and final approval.

Yes. Tight turnarounds often mean we need to bring on more editors or work longer hours, so rush rates apply, but we can usually find a way to make it happen.

Everything from social ads to long-form docs. We’ve cut branded campaigns, TV specials, narrative shorts, and vertical-format series.

No, we cover the full post pipeline: picture edit, color grade, sound design/mix, VFX, animation, conform, and delivery.

Absolutely. We often collaborate with in-house editors or producers, filling in gaps or taking on overflow work.

We’re built remote-first, but we also offer in-person support in NYC, LA, and Chicago. This can include VFX supervision, on-set DIT, or additional producer support when your project needs extra hands. And if your shoot is elsewhere, our team can travel as needed to make sure you’re covered.